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林万山（1993- ）跨媒介艺术家，时空诗性解构者，现驻杭州。

就读于中国美术学院雕塑与公共艺术系（博士），高校讲师，TED讲者，以跨维媒介为语言，在装置、算法影像、脑机交互、太空艺术等领域构建“科技灵性主义”（Techno-Spiritualism）的实践矩阵，作品涵盖装置、影像、 雕塑、机器人、VR等其他新媒体数字艺术和观念性作品。“人”是林万山创作关注的主体，综合多媒介手段，进行探索与创作；多元化的视觉呈现，实验性的创作方式是林万山作品的特征。宇宙，空间，时间与人之间的多维关系一直是艺术家作品长期探讨的课题。作为艺术家，林万山希望自己的作品拥有不设限的维度与层次，大胆尝试跨界合作，同时在创作过程中，不断演变的自己的创作方式和研究方向。已与多个品牌、机构和跨界艺术家合作，包括不限于乐事、阿迪达斯、抖音、阿里巴巴、TED TALK、时尚先生、张艺兴、腾讯等。

Lin Wanshan (1993 - )

A cross-media artist, a deconstructor of temporal and spatial poetics, currently residing in Hangzhou.

He is pursuing a doctoral degree at the Sculpture and Public Art Department of China Academy of Art. He is a university lecturer and a TED speaker. Using cross-media as his language, he constructs a practical matrix of "Techno-Spiritualism" (technological spirituality) in fields such as installations, algorithmic images, brain-computer interaction, and space art. His works cover installations, images, sculptures, robots, VR and other new media digital art and conceptual works. "Humanity" is the main subject of Lin Wanshan's creation, and he explores and creates through various multi-media means. The diversified visual presentation and experimental creative approach are the characteristics of Lin Wanshan's works. The multi-dimensional relationships between the universe, space, time and humanity have always been the long-term topic discussed by the artist. As an artist, Lin Wanshan hopes that his works have unlimited dimensions and levels. He boldly attempts cross-border collaborations and continuously evolves his creative methods and research directions during the creative process. He has collaborated with multiple brands, institutions and cross-border artists, including but not limited to Lay's, Adidas, Douyin, Alibaba, TED TALK, Fashion Mr., Zhang Yixing, Tencent, etc.

我目前关注的是：当人工智能离开地球、进入轨道环境之后，它是否仍然只是一种为人类服务的创作工具。现有AI主要依靠地球上的人类图像、语言与文化记忆进行学习，我真正感兴趣的不是让AI生成一幅“宇宙风格”的图像，而是：当AI开始长期接收非地球环境的数据，在人类无法持续停留的空间中观看、记录和学习，它是否可能成为一种新的宇宙感知主体？那时它创造的艺术，究竟仍然属于人类文化，还是正在形成一种没有人类观众也能继续存在的艺术？

What I am currently concerned with is this: when artificial intelligence leaves Earth and enters orbital environments, is it still merely a creative tool serving humanity? Existing AI learns mainly from human images, languages, and cultural memory on Earth. What truly interests me is not having AI generate a “cosmic-style” image, but whether AI—once it begins to receive data from non-terrestrial environments over the long term, observing, recording, and learning in spaces where humans cannot linger—might become a new kind of cosmic perceptual subject. At that point, will the art it creates still belong to human culture, or is it forming an art that can continue to exist even without a human audience?