纠缠，而后日以作夜纠缠，而后日以作夜外滩大会AI概念艺术展 · Inclusion 2026 — AI Concept Art Exhibition
Learning to move, Learning to play, Learning to animate
作品页面作品 · Artwork
什么构成了智能？它仅属于人类，还是也能存在于木头、石头、金属和硅等多种形态之中？近年来，“人工智能”迅速发展，但其定义依然含糊不明。人工智能系统常被视为一种“外来者”，可能对人类文明构成威胁甚至试图征服之。 同时，我们才开始意识到地球上那些长期被我们忽略或未曾认识到的其他智能实体。这些生物——包括动物、植物和自然系统——正在逐渐展示出它们的复杂性、主动性和智慧。 生态学家兼哲学家大卫·亚伯拉姆（David Abram）提出了“人类之外的世界”（the more-than-human world）的概念，定义为一个超越人类存在的广阔世界，强调人类与自然界的和谐共生，并旨在打破人类与自然世界孤立对立的旧有思维。受这一概念的启发，《动·玩·生》这一多媒体互动表演作品探讨了科技、自然与人类的交互、共存及共生关系。在一个由我们创造的技术和自然共同构建的集体智能世界中生活，这对我们意味着什么？我们将如何实现真正的共生，避免相互之间的压迫与被压迫？ 《动·玩·生》的创作不仅仅局限于舞台表演的设计，它还融入了采用自然材料制作的机械装置、实时AI生成的视觉效果、空间音频技术、生物反馈数据的声音化与可视化，以及动作捕捉技术等一系列前沿科技。在本作中，表演者、机械装置与视觉元素通过“影子”这一核心媒介进行互动，其灵感源自柏拉图的洞穴寓言。在这一寓言中，洞壁上的影子象征着人类感知的局限性与其欺骗性的本质。表演从模仿不同“智能”形态开始，逐步演变为具有娱乐性的交互。《动·玩·生》通过这一系列的表演活动，展现了人类、自然和机器间如何相互感知与学习，深刻揭示了我们的环境、科技与人类本质之间内在的密切联系。
What constitutes intelligence? Does it belong only to humans, or can it also exist in forms as varied as wood, stone, metal, and silicon? In recent years “artificial intelligence” has developed rapidly, yet its definition remains ambiguous. AI systems are often regarded as “outsiders” that may threaten, even seek to conquer, human civilization. At the same time, we are only beginning to recognize other intelligent entities on Earth that we have long overlooked or failed to appreciate. These beings—animals, plants, and natural systems—are gradually revealing their complexity, agency, and intelligence.
The ecologist and philosopher David Abram proposed the concept of “the more-than-human world”—a vast world beyond human existence that emphasizes harmony between humanity and the natural world, seeking to dismantle the outdated opposition between humans and nature. Inspired by this concept, “Learning to Move, Learning to Play, Learning to Animate” is a multimedia interactive performance that explores the interaction, coexistence, and symbiosis among technology, nature, and humanity. What does it mean for us to live in a collective intelligence world jointly built by the technology we create and by nature? How can we achieve genuine symbiosis and avoid oppressing one another?
The making of this work goes beyond stage performance design: it integrates mechanical installations made from natural materials, real-time AI-generated visuals, spatial audio, sonification and visualization of biofeedback data, and motion capture, among other cutting-edge technologies. In this work, the performers, mechanical installations, and visual elements interact through the central medium of “shadow,” inspired by Plato’s allegory of the cave, in which the shadows on the cave wall symbolize the limitations of human perception and its deceptive nature. The performance begins by imitating different forms of “intelligence,” then gradually evolves into playful interaction. Through this sequence of actions, the work reveals how humans, nature, and machines perceive and learn from one another, exposing the intimate, intrinsic connections among our environment, technology, and human nature.
艺术家 · Artist
程铭泳 Cheng Mingyong，孙慧文Sun Huiwen，张涵 Zhang Han，谷悦萌 Gu Yuemeng
0x0a 是由程铭泳、张涵、孙慧文和谷悦萌于加州组成的跨学科创作团体，成员背景横跨新媒体艺术、计算机音乐、时空机器学习与交互设计。团体名称取自ASCII换行符的十六进制编码，暗示着代码与身体、数据与生命之间不断切换、彼此接续的关系。她们持续在人工智能、生成艺术、生物反馈与环境议题的交汇处共同创作，将机械装置、实时视觉生成、空间音频与动作捕捉等技术编织进对"人类之外的世界"的探问之中。0x0a 的作品曾发表于SIGGRAPH 、NeurIPS Creative AI Track、CVPR AI Art Gallery、ISEA等国际会议与艺术展，致力于在技术与自然的共生想象中，探索感知、智能与共存的多重可能。
程铭泳博士是常驻美国亚特兰大（Atlanta）的新媒体艺术家、研究者与创意技术专家，现任佐治亚理工学院（Georgia Institute of Technology）助理教授。她的实践涵盖生成式人工智能、互动装置、视听表演、动态影像与计算媒体。基于“思辨生态”（Speculative Ecology）框架，她通过文化记忆、生态感知、身体经验与超越人类的智能，探索人类与人工智能的共同创作。其作品曾亮相圣迭戈艺术博物馆（San Diego Museum of Art）、雅各布之枕舞蹈节（Jacob’s Pillow）、雅典数字艺术节（Athens Digital Arts Festival）、SIGGRAPH、NeurIPS、ISEA及IEEE CVPR人工智能艺术展（AI Art Gallery）等国际平台。她拥有加州大学圣迭戈分校（UC San Diego）视觉艺术博士学位及杜克大学（Duke University）艺术硕士学位。
张涵是一位生活于地球的多媒体艺术家、计算机音乐家、表演者和工程师。她通过DIY装置探索多媒体参与式表演的形式，创造沉浸式互动体验，并拓展其剧场实践。她关注人们如何共同理解技术、艺术以及具体而真实的人类生活。在音乐科技与工程领域，她致力于探索声音音色的可解释性与可控性，并尝试将创新性的研究成果应用于新型乐器的设计之中。张涵的艺术作品曾在多个学术会议和平台上展出，包括SIGGRAPH、NeurIPS、CVPR、ACM、ICMC、NIME等。她曾在德国柏林KM28、美国纽约Every Woman Biennial、美国加州Qualcomm Institute、美国纽约Future Stages、美国加州Project [BLANK]以及墨西哥CMMAS等场所和艺术节演出。她曾于2025年和2026年在瑞典斯德哥尔摩电子音乐工作室（EMS）驻留，并在美国Oracle Egg及Rocky Mountain College of Art + Design完成艺术驻留。她最新的实验音乐电影由Music For Your Inbox发行。
孙慧文是常驻美国硅谷的AI工程师。她博士毕业于加州大学圣地亚哥分校，研究时空预测与世界模型。她致力于在机器学习与艺术交汇点创造作品，探索人与机器之间的共生关系。她的艺术作品曾在多个会议上发表，包括新型音乐表达界面会议（NIME）、音乐元创造会议（MUME）和神经信息处理系统会议（NeurIPS）。她还曾在Mars College驻地项目、韩国艺术委员会和诗意计算学校为艺术家提供机器学习课程。
谷悦萌是一位多媒体艺术家、视觉设计师与创意技术工作者，创作横跨互动媒体、沉浸式装置与计算艺术。她的实践关注数字系统如何转化记忆、环境与观众参与，并通过视觉设计、声音、叙事与实时交互，构建具有感知性的体验空间。她目前正在加州大学圣地亚哥分校攻读计算机科学硕士学位。她的研究兴趣在于表演、展览与界面设计之间，探索技术、感知与叙事之间的关系。
剧场作品表演者：erika, 是一位跨学科艺术家，现居并学习于库梅亚族土地上，涉足实验舞蹈、表演、电影、装置艺术和文字创作。她的研究涉及不确定和难以捉摸的身体与条件的持续（再）形成。erika使用包括运动、时间、语言和存在等无形材料进行创作，以此在不稳定性、风险和多感官交流中进行动态协商。个人网站：https://erikaaa.info/
0x0a is an interdisciplinary collective formed by Cheng Mingyong, Zhang Han, Sun Huiwen, and Gu Yuemeng in California, whose members span new media art, computer music, spatiotemporal machine learning, and interaction design. The group takes its name from the hexadecimal encoding of the ASCII line-feed character, suggesting a relationship in which code and the body, data and life, continually switch between and succeed one another. Working at the intersection of artificial intelligence, generative art, biofeedback, and ecological concerns, they weave mechanical installations, real-time visual generation, spatial audio, and motion capture into an inquiry into “the more-than-human world.” 0x0a’s works have been presented at SIGGRAPH, the NeurIPS Creative AI Track, the CVPR AI Art Gallery, ISEA, and other international conferences and exhibitions, exploring the manifold possibilities of perception, intelligence, and coexistence within an imaginative symbiosis of technology and nature.
Dr. Cheng Mingyong is a new media artist, researcher, and creative technologist based in Atlanta, USA, and an assistant professor at the Georgia Institute of Technology. Her practice spans generative AI, interactive installations, audiovisual performance, moving image, and computational media. Grounded in the “Speculative Ecology” framework, she explores human–AI co-creation through cultural memory, ecological perception, embodied experience, and more-than-human intelligence. Her work has been shown at the San Diego Museum of Art, Jacob’s Pillow, the Athens Digital Arts Festival, SIGGRAPH, NeurIPS, ISEA, and the IEEE CVPR AI Art Gallery. She holds a PhD in Visual Arts from UC San Diego and an MFA from Duke University.
Zhang Han is a multimedia artist, computer musician, performer, and engineer living on Earth. Through DIY installations she explores forms of multimedia participatory performance, creating immersive interactive experiences and extending her theatrical practice. She is concerned with how people come to understand technology, art, and concrete, real human life together. In music technology and engineering, she works on the interpretability and controllability of sound timbre, seeking to apply innovative research to the design of new musical instruments. Zhang Han’s artworks have been exhibited at numerous academic conferences and platforms, including SIGGRAPH, NeurIPS, CVPR, ACM, ICMC, and NIME. She has performed at KM28 in Berlin, Every Woman Biennial in New York, the Qualcomm Institute in California, Future Stages in New York, Project [BLANK] in California, and CMMAS in Mexico. She was artist-in-residence at EMS (Elektronmusikstudion) in Stockholm, Sweden, in 2025 and 2026, and completed residencies at Oracle Egg and Rocky Mountain College of Art + Design. Her latest experimental music film was released by Music For Your Inbox.
Sun Huiwen is an AI engineer based in Silicon Valley. She holds a PhD from UC San Diego, with research on spatiotemporal prediction and world models. She works at the intersection of machine learning and art, exploring the symbiotic relationship between humans and machines. Her artworks have been presented at conferences including NIME, MUME, and NeurIPS. She has also taught machine learning workshops for artists at the Mars College residency, Arts Council Korea, and the School for Poetic Computation.
Gu Yuemeng is a multimedia artist, visual designer, and creative technologist whose work spans interactive media, immersive installations, and computational art. Her practice examines how digital systems transform memory, environments, and audience participation, constructing perceptive experiential spaces through visual design, sound, narrative, and real-time interaction. She is currently pursuing a master’s degree in computer science at UC San Diego. Her research interests lie among performance, exhibition, and interface design, exploring the relationships between technology, perception, and narrative.
Performance collaborator: erika is an interdisciplinary artist based and studying on Kumeyaay land, working across experimental dance, performance, film, installation, and text. Her research engages the ongoing (re)formation of uncertain and elusive bodies and conditions. Erika works with intangible materials—movement, time, language, and presence—to negotiate instability, risk, and multisensory communication. Website: https://erikaaa.info/
生成式人工智能与人类创造力的协同关系；"人类之外的世界"中动物、植物与生态系统所展现的多元智能形态，及其与人工智能的对话与共生；生物反馈数据的声音化与可视化；实时AI生成视觉与时空机器学习在艺术表演中的应用；以及人机之间感知、学习与权力关系的边界——如何在共同构建的智能世界中实现共生。
The collaborative relationship between generative AI and human creativity; the manifold forms of intelligence displayed by animals, plants, and ecosystems in “the more-than-human world,” and their dialogue and symbiosis with artificial intelligence; the sonification and visualization of biofeedback data; the application of real-time AI-generated visuals and spatiotemporal machine learning in art performance; and the boundaries of perception, learning, and power between humans and machines—how to achieve symbiosis within a collectively built intelligent world.