纠缠，而后日以作夜纠缠，而后日以作夜外滩大会AI概念艺术展 · Inclusion 2026 — AI Concept Art Exhibition
作品 · Artwork
黑洞吞噬光，而人工智能吞噬数据与记忆。本作品将原始实拍影像交给AI，让它像黑洞撕裂恒星一样，撕裂、拉伸并重新编码这些视觉碎片。多联屏幕的同步与错位，正是人类作者与AI模型之间的“认知时差”——人类试图在其中寻找叙事的连贯性，而AI却在像素的混沌中执着地计算着熵的流向。最终呈现的，既不是纯粹的自然奇观，也不是冰冷的数字生成，而是一个混合智能对宇宙深渊的共同凝视：一方在追问意义，一方在计算概率，而画面，正是这两者相互吞噬后留下的炽热残骸。
Black holes devour light, while artificial intelligence devours data and memory. This work hands raw filmed imagery to AI, letting it tear, stretch, and re-encode these visual fragments the way a black hole tears apart a star. The synchronization and misalignment across the multi-screen display are precisely the “cognitive time difference” between the human author and the AI model—humans seek narrative coherence within it, while AI obsessively computes the flow of entropy amid the chaos of pixels. What is finally presented is neither pure natural spectacle nor cold digital generation, but a shared gaze into the cosmic abyss by a hybrid intelligence: one side asking after meaning, the other counting probabilities, and the image being the incandescent remnant left after the two devour one another.
艺术家 · Artist
TonyMark & Jue Joanna Wang
覃万富(TonyMark)极客艺术主理人，新媒体艺术家，现生活于中国广州，擅⻓使用以vvvv为主的可视化编程工具创造独特视觉体验。其作品关注多元环境下的心理流动，务求通过自观徜徉更多未知领域，探索感官及意识世界，探寻生命本源。
王珏（Jue Joanna Wang）是一位跨媒体艺术家与研究者，目前于香港科技大学（广州）攻读计算媒体与艺术博士学位。她的创作实践聚焦于生物传感、计算机艺术与空间叙事的交汇地带，融合扩展电影、交互艺术与混合场所营造，赋予新唯物主义思想以具身体验和可感知的形式。其作品曾展出于奥地利林茨电子艺术节、林茨Vinci媒体艺术画廊、深圳当代艺术与城市规划馆等，研究成果亦发表于ISEA、Siggraph Asia等国际计算媒体艺术会议。
Qin Wanfu (TonyMark)
A principal of GEEKSART and a new media artist, now living in Guangzhou, China. He specializes in using visual programming tools—primarily vvvv—to create distinctive visual experiences. His work attends to psychological flow within diverse environments, wandering via introspection into further unknown realms to explore the sensory and conscious worlds and probe the origin of life.
Wang Jue (Jue Joanna Wang)
An intermedia artist and researcher, currently pursuing a PhD in Computational Media and Arts at the Hong Kong University of Science and Technology (Guangzhou). Her practice focuses on the intersection of biosensing, computer art, and spatial narrative, integrating expanded cinema, interactive art, and hybrid place-making to give embodied and perceptible form to new materialist thinking. Her works have been exhibited at Ars Electronica in Linz, the Vinci Media Art Gallery in Linz, the Shenzhen Museum of Contemporary Art and Urban Planning, among others, and her research has been published at ISEA and SIGGRAPH Asia, and other international conferences on computational media art.